Newsletter

Also this week: “Being There” in 35mm, Nicolas Winding Refn’s “Pusher” trilogy, Orson Welles’ “F for Fake” and our first thoughts from Cannes.

Also this week: Chatting with Jason Patric about “After Dark, My Sweet,” a movie directed by Neil Young and the return of “Terms of Endearment.”

Also this week: David Fincher’s “Seven” in 4K, Billy Dee Williams with “The Empire Strikes Back” and Barbara Kopple on her labor docs.

Also this week: The TCM Classic Film Festival, Robert Redford’s “Ordinary People” in a new 35mm print and the 60th anniversary of “The Battle of Algiers.”

Also this week: A retrospective of Athina Rachel Tsangari, an evening of rare Bob Dylan performances, Walter Hill’s “The Warriors” and Lucrecia Martel’s ‘Our Land (Nuestra Tierra).’

Also this week: Elvis Presley in “King Creole,” Michael Caine’s “Alfie” in 35mm and Patricia Cardoso with “Real Women Have Curves.”

Also this week: William Friedkin and Harold Pinter’s ‘The Birthday Party’ in 35mm, Spike Lee’s ‘He Got Game’ and Harmony Korine’s ‘Gummo.’

Also this week: A complete Akira Kurosawa retrospective on 35mm begins, Charles Burnett with “To Sleep With Anger” and Jason Reitman with “Thank You for Smoking.”

Also this week: Bud Cort’s lone directing effort ‘Ted & Venus,’ 50th anniversary of ‘Network’ in 35mm, Duvall and De Niro in ‘True Confessions,’ and the world premiere restoration of Greg Harrison’s ‘Groove.’

Also this week: “The English Patient” at the Academy Museum, “Jackass: Number Two” with Johnny Knoxville in person and the hockey comedy “Slap Shot” in 35mm.

Also this week: George Clooney’s “Good Night, and Good Luck” in 35mm, “Grease 2” at the Los Feliz Theatre and anti-fascist films at UCLA.

Also this week: An extensive Mikio Naruse retrospective, post-punk origins with “24 Hour Party People” and Fellini’s “La Dolce Vita” on 35mm.